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Folk Music

by Bruce E. Baker and Carole Watterson Troxler, 2006
Additional research provided by Wiley J. Williams.

See also:"Ballad of Tom Dooley"; Mountain Dance and Folk Festival; Southern Folklife Collection.

Folk Music- Part 1: Introduction; Folk Music- Part 2: Ballads and Balladists of North Carolina; Folk Music- Part 3: People and Trends in North Carolina Folk Music; Folk Music- Part 4: References

Part 2: Ballads and Balladists of North Carolina

Jane Gentry, North Carolina Ballad singer. Image courtesy of the North Carolina Humanities Council. Different groups popularized different types of folk songs, but the most common distinction made is between narrative folk songs, or ballads, and nonnarrative folk songs. Traditions of balladry existed across most of Europe during the time in which North Carolina was initially settled, so it is not surprising that these traditions were transplanted along with the early settlers. Ballads were learned by listening, and their rhyming schemes and phrase repetitions made them easy to remember. England and Scotland shared a body of ballads, and many of these were carried to Ulster and the Mountains and Piedmont of North Carolina by Scotch-Irish settlers or directly to the coast by English settlers.

The earliest known ballads present in oral tradition are usually identified as "Child ballads" after Francis James Child, a nineteenth-century scholar who published a benchmark collection of these songs. Others entered oral tradition only after publication as broadsides. Many of the Child ballads, such as "The House Carpenter" and "Barbara Allen," were widely sung in North Carolina, but broadside ballads such as "Pretty Polly" were equally popular.

Sharp was surprised to find in 1916 that residents of the southern Appalachians still sang many of the Child ballads. Sharp and his colleague Maud Karpeles collected songs in North Carolina, Kentucky, Virginia, West Virginia, and Tennessee for 46 weeks between 1916 and 1918. Olive Dame Campbell, a student of mountain culture who later founded the John C. Campbell Folk School in Brasstown, collaborated with Sharp and Karpeles and planned their itinerary. Campbell targeted areas along the Great Divide that she considered the least changed since settlement. Sharp and Karpeles specifically sought English folk songs to extend Sharp's earlier collections. Shunning religious music, they learned that asking for "love songs" brought forth the ballads.

With Karpeles recording words and Sharp noting the tunes, the two collected about 500 songs with over 1,600 variant melodies from nearly 300 singers, almost doubling Sharp's previous compilation. Fourteen and one-half weeks in the North Carolina counties of Buncombe, Madison, Jackson, Forsyth, McDowell, and Yancey yielded 559 of the melodies. Most tunes used the pentatonic scale commonly found in the pre-Victorian musical traditions of the British Isles. Sharp's visit and subsequent book alerted many to the ballad-singing traditions of the North Carolina Mountains, and areas such as Madison County became famous for generations as the home of excellent ballad singers.

While ballad singing thrived in the Mountains, strong folksinging traditions also existed in every other part of North Carolina. Louis Chappell found ballads plentiful in eastern North Carolina, where British settlement was both older and more English than in the Mountains. Meanwhile, George Pullen Jackson studied African American and white religious songs and discovered British ballad tunes woven into the tapestry of the "spiritual."

In addition to ballads brought over from the British Isles, singers found abundant subject matter in North Carolina. Death, in many forms, was the primary theme of Native American ballads. "Naomi Wise," "Nellie Cropsey," and "Tom Dooley" all tell the story of girls murdered by their sweethearts, each in a different part of the state. Other tragic or disastrous events such as train wrecks, floods, lynchings, and fires provided material for many ballads. Unlike the older ballads brought over from the British Isles, it is often possible to identify the composer of North Carolina ballads. Many of these songs circulated only orally, but some were printed and distributed. North Carolina ballads exist from the earliest days of the colony until more recent times, including songs about Revolutionary War skirmishes and the wreck of a smuggler on Harkers Island during Prohibition.

Keep reading  >> Folk Music- Part 3: People and Trends in North Carolina Folk MusicKeep reading

Image Credit:

Jane Gentry, North Carolina Ballad singer. Image courtesy of the North Carolina Humanities Council. Available from (accessed May 30, 2012).



If someone has access to the archives at Chapel Hill they might be able to find more info on the ballad about the 1916 flood accoding to this Finding Aid:

Collection Number: 20137

Collection Title: Charles W. Brandon Recording of North Carolina Ballads, 1972-1972

Audio recording of an interview and performance of ballads by Thelma Eckard and Lucy Belk, white ballad singers from Stony Point, Alexander County, N.C. Recordings include ballads by both women with particular attention paid to the ballads and events surrounding the 1916 flood in western North Carolina. Recorded by Charles W. Brandon, a white University of North Carolina at Chapel Hill student, in one of the informants' homes in March 1972. While a student at UNC, Brandon took Daniel W. Patterson's "British and American Folksong" course and wrote a term paper on the ballad about the 1916 flood. The collection also contains supporting documentation, consisting of a collection cover sheet prepared by former library staff.

SFC Audio Open Reel FT-20137/1752
Interview and performance of songs by Thelma Eckard and Lucy Belk, "The Flood of '16", "The Girl Volunteer", "Tom Dula", and "Old Aunt Dinah", Stoney Point, N.C., March 1972
1/4" Open Reel Audio


Dear Mr. Talley,

Thank you so much for letting our staff and NCpedia viewers know about this great resource at UNC Chapel Hill!


Taylor Thompson, Government & Heritage Library


I am looking for all the words to a song my mother used to sing. She lived through the 1916 flood in western North Carolina and here are some of the words she used to sing. "Twas the month of July and the year 16 was the awfulest flood that had ever been seen. It took its sweep from the ocean wide and struck with force on the mountain side." I don't remember the other words but I would really appreciate knowing them. I don't know if the song had a title. Thank you very much, Bonnie Burgess


Dear Ms. Burgess,

I'm afraid I'm not able to find the words to that song. Perhaps someone else reading this article and comment can help. 

Mike Millner, NC Government & Heritage Library


Dear Ms. Burgess,

I'm afraid I'm not able to find the words to that song. Perhaps someone else reading this article and comment can help. 

Mike Millner, NC Government & Heritage Library


I am not familiar with that one but will ask some of my Burke County cousins who are a few years older than myself.

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